GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
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GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
°
GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
°
GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
°
GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
°
GIRL WALK // ALL DAY
Identity, T-shirts, & Posters- There is something perfectly subversive and joyous about Anne Marsen’s contortions in Girl Walk//All Day: her reinterpretation of NYC's stairs, benches, lampposts + the flow of the crowd as dance partners reveals the city anew. Inspired by this concept, the poster diagrams dance moves from the film via delicate die cuts. These windows challenge the socially-imposed physical barriers of paper, as the film does for the street. I mapped the dance poses according to their analogs found in the everyday NYC-street-isms.
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